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Margaret
Mitchell
BIO
Margaret
Mitchell was born in Atlanta, Georgia on November 8, 1900. She
entered Smith College in 1918, but left a year later to take
care of her father and brother after her mother passed away.
In 1922 she marred Berrien Upshaw, but the marriage lasted
only a few years. In that same year, she became
a reporter for The Atlanta Journal. There she met
John Marsh, whom she married in 1924.
An injury to her foot in 1926 required her to leave her job
at the newspaper. While she was convalescing, she
began working on GONE WITH THE WIND, typing on a portable
typewriter balanced on her lap.
She told no one except her husband about the novel she was
writing, and she never expected it to be published. She
stuffed finished chapters in manila envelopes and hid them
under the sofa, the bed and any other place she could find
in her small house.
One day, Lois Cole --- a friend of hers who worked for Macmillan
Publishing in New York --- told her boss, Harold Latham, about
Margaret's book. Latham went to Atlanta and met
with her, but she denied that she was writing a book. Just
before Latham was to return to New York, she had a change
of heart. She stuffed the envelopes into a suitcase,
took them to his hotel and gave them to him saying, "Take
it before I change my mind."
The book was published on June 30, 1936. Although
the reviews were mixed, one-half million copies of it were
sold in the six months after its publication. It
was a featured selection of the Book of the Month Club in
July 1936. In May 1937 Margaret Mitchell was awarded
the Pulitzer Prize for GONE WITH THE WIND. A few
years later the movie was made into a motion picture starring
Clark Gable and Vivien Leigh.
On August 11, 1949, while crossing a street in downtown Atlanta,
Margaret Mitchell was hit by a speeding taxi. She
died five days later.
ARTICLE
Writers
of the Century ---
Margaret Mitchell
Margaret Mitchell may have written only one major novel in
her career, but then again, so did another Southern writer,
Harper Lee. GONE WITH THE WIND, like TO KILL A MOCKINGBIRD,
is a masterpiece of literature.To some, GONE WITH THE WIND
screams schmaltzy romance.These same people often believe
Margaret Mitchell was simply a southern belle who got lucky
writing about beaus and war. Not true. Margaret was a beauty
--- like her infamous character Scarlett --- and like Scarlett,
she was a very curious, smart, and clever woman who shocked
the world with her three and a half pound novel.
Born on November 8, 1900 in Atlanta, the young Margaret ---
whom her friends called Peggy --- was fascinated with the
stories she would hear from her relatives about the Civil
War. So caught up in these historical daydreams, at one point
Margaret wanted to leave school. Her horrified mother dragged
Margaret to the rural road where the old plantation houses
were left in ruin. Chastened at this blatant look of destruction,
Margaret returned to school and entered Smith college in 1918,
not long after the United States entered World War I. After
her fiancee was killed in action and her mother died from
a flu epidemic, Margaret left college to take care of her
brother and father in Atlanta. She sounds a little like Scarlett
already, strong and dedicated to her family and her home.
Although she did enter society in 1920, Margaret was too free-spirited
and intelligent to be satisfied with life as a debutante.
She quarreled with her fellow debutantes over the distribution
of the money they had raised for charity and shocked society
with a provocative dance she performed with one of her suitors.
Margaret was no meek Melanie that's for sure --- she was a
strong woman not about to let societal rules dictate her behavior
or control her life. She lived fully and at times rashly,
juggling beaus. A novella was just published in 1997 called
LOST LAYDEN, a book that combines two notebooks of Margaret's
and tells the story of her love affair with Henry Love Angel,
in letters and photographs. It was written when Margaret was
only sixteen. When Margaret was twenty-two she finally married
one of her suitors, Berrien Upshaw. After they married Margaret
took a job as a writer for The Atlanta Journal where her other
beau, John Marsh was an editor. Can you see where this is
heading? The excitement seeking flapper loved working for
the paper --- even more than she loved her marriage, so after
a stormy two years she divorced Upshaw in 1924. Less than
a year later, married Marsh. Only a few months after her marriage,
Margaret had to leave her job to recover after a series of
injuries. This proved to be the catalyst she needed to begin
her other career.
While recovering, Margaret --- who could never be still for
long --- began writing the book that would make her famous. The
ball started rolling after the book was published in 1936.
It was almost instantly a bestseller, and she won the Pulitzer
Prize only a year later in 1937. The movie followed quickly,
starring Vivien Leigh and Clark Gable setting in stone, or
well, film, the epic of GONE WITH THE WIND, and essentially
making Margaret Mitchell a household name.
Margaret lived to the fullest, looking for passion and love
--- never stopping to ask permission or dutifully submitting
to anyone's will but her own. She was certainly ahead of her
time, a female bestseller who was, gulp, divorced. It is not
simply her epic novel that delights and inspires generations
of readers, but also her own personality, that shines through
in and beyond GONE WITH THE WIND. There is a reason for the
cult following --- everyone who has read the book has a story
to go along with it, including me.
I was 13 when my mother gave me her battered copy of GONE
WITH THE WIND. She had purchased it in a secondhand
bookstore on some hidden military base in Bangkok, Thailand.
I was impressed by its age and by the fact that my mother
had held onto this volume through her many moves to and throughout
the United States.
Her eyes sparkled when she told me about Scarlett's scandalous
flirtations and her will to survive. I was intrigued by my
mother's attachment to GONE WITH THE WIND because she never
read novels and generally considered them fluff. But
something about this book captivated her. My mother, the realist,
was under Scarlett's spell.
I quickly became as enchanted with this novel as my mother
was. Her tattered copy has never left my possession and it
remains my bedside book of choice. Ten years later, I still
read it frequently and often crack it open to the description
of the barbecue or to the detailed catalog of Scarlett's summer
wardrobe. Even fellow readers and lovers of GONE WITH THE
WIND look at me strangely when I explain my desire to reread
the book over and over. They don't understand. The familiarity
and comfort this novel gives me is nothing I can articulate.
When I'm feeling anxious, I go to my shabby volume and open
it up to any page and read for as long as I need to. This
simple practice has put my mind at ease when the stress and
pressure of graduate school gets to be too much. GONE WITH
THE WIND is the perfect salve for my chafed brain when I get
impatient with American Modernism or the New Critics become
tiresome. Tara, is a home of sorts to me, as it was to Gerald
O'Hara and his family.
Because I read GONE WITH THE WIND as a young girl first experiencing
puberty and the maddening behavior of the opposite sex, Scarlett
served as a role model for me. Margaret Mitchell cleverly
de-emphasized Scarlett's conformity to the traditional beauty
of the time. She was not beautiful, according to Mitchell
and the standards of the Civil War South, but there was something
about Scarlett that appealed to men and women. At 13, I was
hardly beautiful or charismatic --- I knew that --- but I
thought that maybe I would eventually have that something
special. Maybe when I was 16 or 17, something inside of me
would emerge and charm everyone. To a 13-year-old girl, already
willingly caught up in the excitement of romance and adventure
of literature, Scarlett O'Hara was the ultimate role model.
I have found excitement, and, at times, what I thought was
true love. The excitement was fleeting and the love flickered
and burned itself out time after time, but Scarlett and Tara
still shine. No amount of time or cynicism will tarnish the
gleam of their story. It continues to thrill both me and the
devoted readers who have also developed relationships with
the characters in GONE WITH THE WIND. I don't often thank
my mother for everything she does for me, but I must remember
to thank her for her copy of this book. I am certain that
it will remain my bedside book of choice, a welcome rest for
my heart and soul, until I am forced to listen to it on audio.
--- Lynn Ramsson
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