That kind of uncertainty is depicted in the odd-looking little creature who greets the protagonist in this new land (shown on the cover). Is it a friendly type of dog or some vicious animal?

Tan’s gift for creating shading and depth gives each image a lush, 3D quality, and he even creates playful, moving connotations by arranging the panels of the book’s opening like a photo album, complete with slightly rounded corners. They look almost taped into place. The reader reminisces about generations gone by, parents, grandparents, or even further back into history, to think of the many heartbreaking ways people leave their families behind in search of a new life and a opportunity to create a new family elsewhere.

Every one of Tan’s images is a story unto itself, so words are hardly necessary here. What would they add to, say, the delicate rendering of the young girl regarding the protagonist’s suitcase on the morning he is about to leave? The picture alone conveys everything that needs to be said.

THE ARRIVAL is one of those works that withstands repeated readings well. There’s always something new or unexpected to be encountered, something you missed the last time around. It never loses that sense of magic and wonder either.

   --- Reviewed by John Hogan

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